Then, we click the Fade button again to create a fade cue.Īgain, we will drag our desired cue (in this case, cue 3) to the fade cue. Next, we will drag the volume slider to the bottom to have the sound start off silent. First, we would enter the Time & Loops tab and drag the starting point of the cue to the point where we will want to start fading up. Let’s say that we want to fade in a song at its middle.
#HOW TO FADE IN QLAB HOW TO#
We learned how to have music fade out, but fading in is slightly more complicated. Now that we have discussed the basics of QLab, we will look at a few other features that might be useful to you. What have you learned? Is there something I forgot to mentioned? Follow Staging Sound to stay updated! If you followed each of these steps, you should be in good shape, and any insights you gain in retrospect can be used in your next sound design.īut for now, sit back and enjoy the show!Īsk questions and leave feedback in the comment section below.
#HOW TO FADE IN QLAB FREE#
You won’t want to make any drastic edits during the phase, but feel free to follow your instincts in making tweaks and minor adjustments.Īfter the dress rehearsal(s), it’s finally showtime! At this point, you have to step back and have faith in the sound design you created. This button, in the top left (it’s hard to miss!) is the button you will use to trigger each sound cue.Īgain, practices differ for each theater, but a stage manager will likely be standing by on the script to call when sound and light cues should be triggered.ĭuring dress rehearsals, you will likely get the chance to see your sound design matched up with the entire production for the first time. These will all be useful for you in case you need to make an emergency stop, but the main button you want to know is the GO button. Here you will find a list of all the active cues, as well as stop, pause and play buttons. In order to prepare QLab for the show, open the Lists, Carts & Active Cues sidebar using the button in the bottom right (circled in red). I have never run sound for a production, as this is typically a job for a crew member, but some directors might ask you to. You will need to ask your director about the specifics of your theater, but you will likely be responsible for speakers and amplifiers as well as the computer with QLab. In this post, I will prepare you to run sound during the show. Once you have all of your cues loaded into QLab, it’s almost showtime!